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In the spring of 2003, a curatorial group called iKatun produced an exhibition called "info@blah" at the Mills Gallery, as part of the Boston Cyberarts Festival held that year. The work by Natalie Loveless was a site-specific installation that involved the collection of pins and written
messages from a large group of people, which were applied to an open wall at the gallery before the opening. However, when the work was finally displayed, only the pins remained, along with hundreds of straight lines traced in silverpoint, and pinholes marked the intersection of any two of these lines. Because I liked the piece so much, I shot video of it, which she later incorporated into a descriptive piece for her portfolio.
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