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Mike Hall Video
documentation of fine art works, performance, and
critical historic events of the third millennium
works
A portfolio of video productions, visual imagery and writings that challenge convention and explore alternative forms of perception

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A portfolio of video productions, visual imagery and writings that challenge convention and explore alternative forms of perception.
The intention is to inform and affect without bias, so that conclusions can be drawn by the audience instead of by the artists, performers, or participants in real-life dramas.
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Works which generate video from a variety of sources, some of them virtual
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this really happened:
a study in conventional video feedback
By connecting a video camera to a large LCD television and aiming the camera almost directly at the center of the screen, patterns emerge that to some extent can be shaped and molded with the hands. This is due to a tendency for the video stream to ... more
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Pattern Formation Syndrome:
on the recombinant behavior of disparate video electronic devices
This sequence shows how two distinctly separate pieces of video electronics equipment can be combined to produce a result that is remarkably lifelike. It is theoretically possible for "edge-enhancing" algorithms commonly found in both video cameras ... more
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The Recursion Paradigm:
experiments in projected video feedback
On April 23, 2005, the Art Interactive (Cambridge, MA) hosted an after-hours party featuring many illustrious video artists, including NKV4, Walter Wright, Benton Bainbridge, dj Flack, and sosolimited. In a separate performance before the show, I se... more
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Inertia:
an urban manifestation
The streets of New York City are never calm, but during the final days of August in 2004, there was an unrest of such proportions that, at times, traffic was stalled by masses of people who took to the street without obtaining permits to march. On A... more
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Light Floes:
about as much fun as you can have with a cardboard stick and a flashlight
On November 3rd of 2004, though consumed with apprehension about the outcome of the
presidential election, I was nevertheless able to discover a phenomenon of projected light that
continues to baffle and amaze me. Under certain precisely control... more
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Melodicon:
bridging the gap between sight and sound
Acoustically enhanced video feedback is a combination of two graphic generation techniques I´ve been developing and experimenting with since the summer of 2003. Video feedback is produced by connecting a video camera to a video projector, then direc... more
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Central Park West:
one hour of evening sky captured in May of 2004
On May 13th, at approximately 7:30pm, I set up my camera on a tripod in Central Park and videotaped the night sky until dusk. I was thrilled to discover that a bright celestial object, perhaps a planet, was poised to enter the frame just as night wa... more
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The Blob Sessions:
Gelatinous pools of light can make good pets
Of great popular interest among those who have experienced video feedback first hand is the creation of highly stable, luminous objects in the center of the projection area. These stable forms do not occur without considerable effort applied to the s... more
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Works which represent and extend fine art exhibitions, performances, and current events
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Unmarked Package:
a case for feeling insecure
Over a weekend in May 2007, the Institute for Infinitely Small Things set out to research insecurity in Chicago´s public spaces. They ceremoniously carried over a hundred white packages (each marked "UNMARKED PACKAGE") to different locations in Chica... more
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Union Square:
the downfall of an uprising
Although the local mainstream press reported the harsh treatment that protesters endured from the last day in August until the end of the Republican convention, very little of that reporting made its way outside of New York or continued beyond the ti... more
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Sones De México:
"Un Son a Cuatro Vientos"
In January of 2005, I finished work on a promotional video for a Chicago based traditional folk music ensemble called Sones De México. Juan Díes, the producer and camera operator, asked me to edit a collection of performance clips, interviews, rehea... more
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The A31 Street Party:
a mass arrest by the NYPD
On August 31, 2004, at about 7:00pm, a marching band launched from Union
Square in downtown Manhattan into the street as an act of civil disobedience. All
those who followed their path, and even those who were there for incidental
reasons, ... more
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Express Yourself!:
demonstrations outside the 2004 Democratic National Convention
The demonstrations outside of the 2004 Democratic National Convention in Boston were relatively tame compared to the events that would occur in New York a month later. However,
the presence of riot police in full armor set an ominous tone outside o... more
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Funerals for a Moment:
mourning events of no particular significance
On May 15, an excursion led by performance artist Kanarinka
commemorated the passing of seven seemingly insignificant
moments throughout the lower east side of Manhattan. The group
consisted of Mourners, Ushers, Journalists, and... more
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Holographic Portfolio:
capturing the works of Harriet Casdin-Silver
As a preparator of Harriet Casdin-Silver´s works, I´ve had the rare opportunity to capture the wide rage of emotion and complexity of her work, using a video camera, in various
museum and gallery locations as well as in her studio in Boston. A holo... more
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translation/history/archive:
Documentation of a site-specific installation by Natalie Loveless.
In the spring of 2003, a curatorial group called iKatun produced an exhibition called "info@blah" at the Mills Gallery, as part of the Boston Cyberarts Festival held that year. The work by Natalie Loveless was a site-specific installation that invol... more
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Thee Electric Bastards:
Hanging out with the dudes of "psychodelic garage pop rockin´ stuff"
During the summer of 2005, Dutch videojournalist Charlotte Govaert followed members of Thee Electric Bastards, a Boston-area rock band, to capture their unique performances and points of view on videotape. Charlotte asked me to edit the piece, which... more
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Live interaction with performers, using enhanced video and projection
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All for Free (Free for All?):
a durational performance by Andi Sutton and Catherine D´Ignazio
On March 10 2007, Andi Sutton and Catherine D´Ignazio stood resolutely in front of a pile of plainly wrapped packages and held up each in turn as if offering them for free to the audience. For most of those who accepted the invitation, the offer was... more
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After the Fall:
in performance with Inter Alia
On December 9 2006, the members of an improvisational performance group called Inter Alia performed at the CasaNia dance studio in Cambridge, Mass. The mission statement of Inter Alia reads: "Each piece we perform is created in a completely collabor... more
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homage to sisyphus:
a journey of absurd proportions
In May of 2005, hundreds of performance artists from around the world converged on Providence, Rhode Island to participate in "Provflux," a weekend-long event dedicated to artistic and social investigations in psychogeography. Anna Shapiro, an artis... more
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Corporate Commands:
A Training Video Commissioned by the Institute for Infinitely Small Things
In April of 2005, I was commissioned by the Institute of Infinitely Small Things to produce a video that could be used to train their novice members on the recognition, documentation, and re-enactment of corporate commands in an urban environment. W... more
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Butterfly:
A performance in remembrance of Brooks Thomsen Singer
On October 2nd 2004, the Meredith Butulis Dance Ensemble performed a new work commissioned to pay tribute to the life of a young man named Brooks Thomsen Singer. The performance was held during a daylong event held at a new children´s museum in Coha... more
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The Institute for Infinitely Small Things:
excursions launched from the back of a truck
On October 16, 2004, a mobile institute was parked in the Fort Point neighborhood of
Boston which was dedicated to the discovery and analysis of infinitely small things. Excursions
were coordinated by Kanarinka and Pirun of iKatun based on questio... more
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4/21:
An improvisational video recursion project
On April 21st 2004, five members of the captured a performance of three contact-improv dancers and two musicians in the studios of Somerville Community Access Television. The resulting 10-minute video was featured during a live performance titled "... more
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Micki Taylor-Pinney:
two performances at Boston University
On June 11th and 12th of 2004, Micki Taylor-Pinney performed a solo, choreographed dance to a Sarabande by J.S. Bach, as part of a site-specific, multi-media event titled "LAUNCH!" in the Sargent Gymnasium at Boston University. Taylor-Pinney is the ... more
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Sarah Hickler:
Improvisation #104
On March 12th of 2004, I was fortunate enough to catch a performance at Studio 211 in Boston´s Fort Point Channel neighborhood to capture a Sarah Hickler work titled "Improvisation #104." In it, she dashes wildly from one persona to the next, none of... more
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The Wailing Stall:
Glimpses of a five-hour performance during ArtRages.
On November 22 2003, Natalie Loveless performed a work as part of a large-scale art and music fundraiser called "ArtRages," put on by an independent arts organization called Mobius in Boston. The performance was a serious test of endurance: for 5 ho... more
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Works created in collaboration with the Somerville Producer´s Group
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Holography, Bananas and Life:
conversations with Harriet Casdin-Silver
Harriet Casdin-Silver is a pioneer in field of fine art holography, and her career in the visual and performing arts goes back more than half a century. On April 27th, 2004 I produced a live show for the Somerville Producer´s Group thatshowcased her... more
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16th Street Tactical:
protected speech about unprotected rights
On September 14 2004, two weeks to the hour after their arrests with 1200 others during the Republican National Convention, Charles Shaw and Michael Hall described their experience on a live cable access show which was broadcast in Somerville Massach... more
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Sky Saw:
electronic zithers, video synthesizers, and improvisational dance
As with many of the live TV events presented by the Somerville Producer"s Group, the show that aired on September 30 2003 was not scripted or rehearsed in any way. The musicians had never met the dancers, and only a few of the members of the studio c... more
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Of Lemons and Superheros:
showcasing films from the 48 Hour Film Project, Boston
On June 22, 2004, a live cable sccess program was produced in the studios of Somerville Community Access Television which showcased two films that were submitted as part of the "48 Hour Film Project Boston." Cast and crew members of these production... more
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