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On March 12th of 2004, I was fortunate enough to catch a performance at Studio 211 in Bostonīs Fort Point Channel neighborhood to capture a Sarah Hickler work titled "Improvisation #104." In it, she dashes wildly from one persona to the next, none of them apparently aware of any of the others, in an emotion-packed ride through angst, elation, frustration, joy, indifference, self-determination and insecurity. Her work is very physical, as if her body is rushing to catch up with her feelings; on many occasions she lurched out of frame without the slightest warning.
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